a new literary
thoughtspace

Literature has trends. For decades, the major publishing houses have relied on fast lit as the backbone of their sales. Consumers love it. We suspect it will continue to be popular with readers far into the future.

Psychological literature, not to be mistaken with psychological thrillers (an entirely different genre), has been around for centuries. Shakespeare's Hamlet is a good example. So are Kazuo Ishiguro's The Remains of the Day, The Great Gatsby, To Kill a Mockingbird, and The Color Purple. Movies like A Star Is Born, Titanic, and even the Barbie movie are examples.

We're definitely not comparing Tate's work to any of these. The point is, in this seemingly disparate list of works, there is a common thread: the emotional and psychological journey is the real story beneath the plot. There are no scenes with private jets, exploding limousines, and terrorists running around in black ski masks.

While the stories themselves are remarkable, the real action is largely internal: perception, memory, relationships, moral tension, identity, and small choices with enormous emotional consequences. They are the kind of books that keep you thinking after you close them.

We've found that readers, particularly younger adults, are drawn to the genre. Kind of like vinyl records making a comeback for their vintage appeal. Generation Z grew up with big plots. They will continue to like them. But there is also space for literary works like the ones Tate creates.

"The antagonist is often fate, secrets, time,
or what is inside the character that we can't know."